anthurium clarinervium potting mix Anthurium Clarinervium (Velvet Cardboard)
SKU: 89271153068
anthurium clarinervium potting mix

anthurium clarinervium potting mix Anthurium Clarinervium (Velvet Cardboard)

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Description

anthurium clarinervium potting mix Anthurium Clarinervium (Velvet Cardboard)The nickname says it all Velvet Cardboard Anthurium. Anthurium clarinervium is native to a single Mexican state, Chiapas, where it grows as an epiphyte on limestone karst and rocky outcroppings in the shaded forest. Its thick, almost leathery, heart shaped leaves have a dense velvety surface and a network of bold, bright white veins that stand out against the deep green with the clarity of chalk on a blackboard. The leaves feel as substantial as they

The nickname says it all — Velvet Cardboard Anthurium. Anthurium clarinervium is native to a single Mexican state, Chiapas, where it grows as an epiphyte on limestone karst and rocky outcroppings in the shaded forest. Its thick, almost leathery, heart-shaped leaves have a dense velvety surface and a network of bold, bright white veins that stand out against the deep green with the clarity of chalk on a blackboard. The leaves feel as substantial as they look — stiff, cardboard-like, built for endurance. At 40–65 cm it is compact enough for a shelf or tabletop and dramatic enough to anchor any room. One of the finest collector aroids for indoor growing.

💡 A Rock-Dweller, Not a Forest Floor Plant — Why Soil Matters In the wild, this Anthurium grows on limestone outcrops and tree surfaces, not in ground soil. Its roots are adapted to maximum air circulation and fast drainage — dense, moisture-retentive soil will kill it. A chunky, bark-heavy aroid mix is not optional here; it is the single most important factor in keeping this plant alive and thriving long-term.
☀️

Light

Bright indirect light — away from direct sun at all times. An east-facing window or 1–2 m back from a south-facing window with a sheer curtain is ideal. In autumn and winter, a little gentle direct morning sun is beneficial. The white veining dulls noticeably in low light — a reliable indicator that the plant needs more brightness. A grow light works very well.

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Watering

Allow the top third of the soil to dry before watering — then water thoroughly until it drains freely. Empty the saucer immediately. The chunky mix dries faster than standard potting soil; check by weight — a light pot means it's time to water. Reduce frequency in autumn and winter. Consistent overwatering is the leading cause of decline.

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Humidity

50–70% preferred — higher than average indoor humidity. Use a humidifier, pebble tray, or morning misting. Critically, ensure good air circulation alongside humidity — stagnant moist air encourages fungal issues on the velvety leaf surface. Do not mist in the evening. Keep away from radiators, AC vents, and heating sources.

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Growing Media

Chunky, bark-heavy, extremely well-draining mix — this is non-negotiable. Use: 40% orchid bark, 25% perlite, 20% coco coir, 15% potting soil. pH 5.5–6.5. Can also grow in 100% sphagnum moss kept consistently moist but never sodden. Never use dense potting soil alone. Repot every 2–3 years in spring, one size up. A shallow, wide pot suits the root system better than a deep one.

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Feeding

Balanced liquid fertilizer at half strength every 4–6 weeks in spring and summer only. Apply to moist soil. Flush soil every 3 months to prevent salt build-up. Do not feed in autumn or winter. Less is more — over-fertilizing causes root burn and brown tips.

🍂 Winter Rest — Cooler and Drier Is Better In winter, allow temperatures to drop slightly to 15–18°C and reduce watering further. This cooler, drier rest period mimics the plant's natural seasonal rhythm and promotes healthier, more vigorous growth the following spring. Do not stop watering entirely — just reduce frequency significantly.
🍊 Orange Berries — A Bonus on Mature Plants Mature Anthurium clarinervium occasionally produce flowers — a small green-white spathe, not particularly ornamental — followed by bright orange berries that are genuinely decorative. These appear on established plants only and are a sign of a thriving, well-cared-for specimen.
⚠️ Common Issues & Quick Fixes

Yellow Leaves

Overwatering or direct sun. Let the top third dry completely, check drainage, and move out of any direct light. Widespread yellowing with soggy soil means root rot — unpot, trim black roots, repot in fresh chunky mix, and water much less frequently.

Brown Tips or Crispy Edges

Low humidity or proximity to a heater, AC vent, or fan. Boost humidity and relocate away from drying air sources. Also check watering — prolonged dryness causes the same symptom. Existing brown tips are permanent; trim neatly.

Dull Veining or Small New Leaves

Insufficient light — the white vein pattern dims visibly in low light and new leaves grow smaller. Move to a brighter indirect position or add a grow light. Feed monthly during the growing season to support healthy leaf development.

New Leaves Look Rusty or Bronze

Completely normal — new leaves emerge in a rusty green-bronze colour before deepening to the rich dark green of mature leaves over 5–10 days. Do not mistake this for a deficiency or disease.

Spider Mites, Thrips or Mealybugs

Inspect leaf undersides and petiole bases regularly. Wipe with a soft damp cloth then spray with diluted neem oil or insecticidal soap every 5–7 days for 3 weeks. Good air circulation and maintaining 50%+ humidity reduce pest pressure significantly.

📋 Quick Plant Profile

Botanical Name Anthurium clarinervium Matuda
Common Names Velvet Cardboard Anthurium, White-Veined Anthurium
Family Araceae
Origin Chiapas, Mexico only — limestone karst and rocky epiphytic habitat
Signature Feature Thick, velvety, cardboard-like heart leaves with bold white veins
New Leaf Colour Rusty bronze-green → deepens to dark green over 5–10 days
Light Bright indirect; no direct sun; grow light effective
Watering Top third dry; empty saucer immediately; reduce in winter
Humidity 50–70%; good air circulation essential alongside humidity
Temperature 20°C–27°C growing; 15–18°C winter rest; no cold drafts
Soil Chunky bark-heavy aroid mix; pH 5.5–6.5; or 100% sphagnum moss
Pot Type Shallow and wide; always with drainage holes
Mature Height 40–65 cm; spread up to 1 m
Berries Bright orange; produced on mature plants after flowering
Propagation Root division in spring; stem cuttings rooted in water
Ideal For Collectors, Shelves, Tabletops, Bright Humid Rooms
Care Level Intermediate — chunky soil and air circulation are the keys
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Miri
Fort Morgan, US
★★★★★ 5
The Best Starter Writing Book Out There
Format: Kindle
Anyone who's serious about writing a book needs to start here. Gardner's advice on maintaining the "fictional dream" for the reader--that is, suspension of disbelief, immersion--is top notch. Part I, the discussion and overview of fiction, is engaging and helps contextualize the advice presented: where on the spectrum of the written word we are trying to fit into, what it aims to accomplish, what it needs to accomplish that, and how we go about creating it as writers. Part II covers the common pitfalls and offers technical advice. Style and structure are covered, with especially good lessons on diction and proper sequencing of signals in the test (stimulus, involuntary reaction, voluntary reaction--which may be thought of as cause & effect and is explained in greater depth in Dwight V. Swain's book as Motivation-Reaction Units), with solid explanations for why mistakes here harm the fictional dream and why it is important to get it right. Also covered are the "clumsy writing" mistakes such as characters looking in mirrors to shoehorn description into the text, as well as melodrama, which relies on cheap sleight of hand in writing as opposed to real drama. I loved the section on vocabulary, which explained the problem with writing-by-thesaurus while emphasizing the importance of expanding ordinary vocabulary that include more uncommon words (such as technical architectural terms like "lintel," which, while uncommon, are a benefit to writing) as well as brand names. What this book will do: - Give you a good overview of fiction - Help you understand what fiction tries to accomplish, why, and how - Explain the common clumsy mistakes and how to avoid them - Provide you exercises - Entertain you with Gardner's engaging writing voice (so it doesn't feel like a manual) What this book won't do: - Help you understand nonfiction and how to write it - Cover the common mistakes in-depth - Give you genre-specific advice - Cover anything related to self-publishing - Explain the business of writing - Take the place of critiquers, beta readers, or editors This is a great intro to writing craft book. It should, at the very least, help you understand what you're trying to do and identify your weaknesses so that you may find more narrowly tailored resources to help you. I find myself referring to the passages I highlighted quite often, both in the paperback and the Kindle version. FWIW, the Kindle version is now searchable. When I first bought it, it was not. The search function is a *great* help.
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Chelsea, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
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G. Fisher
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★★★★★ 4
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Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Artie Anzaldua
Grantham, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013

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